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We have lots more free instructional articles in our Writing Academy. A while back I was at a huge conference where a speaker gave a lecture to a class of writers.
Filtering, and an overuse of adverbs. I asked the writers next to me, and they shrugged. Once I got back home, I started a search. Back in those years little could be found on filtering, and it took several weeks before I understood the concept. To picture what filtering is, picture sea sand being poured through a screen into a bucket.
The screen removes any larger objects as the sand is poured. Filtering eliminates pieces, and leaves an altered product. In fiction, the concept of filtering is similar: Janet Burroway coined the term in her book Writing Fiction. Yet when you step back and ask readers to step back and observe the observer—to look at [the character] rather than through the character—you start to A essay on filters and rip us briefly out of the scene.
It moves the reader away from the events on the page. Mary felt a sinking feeling as she sped across the room to yank aside the curtains.
She wondered if her husband would really leave. She saw him throw the suitcase into the car and slam the door. He pointed a finger, dropping his thumb like a gun. Now she knew he would go and not return. She decided to beg and ran outside, sinking to her knees on the cold cement.
The highlighted words come before the action and the reader is made to focus on the character rather than the event.
An extra step is inserted between the reader and the story. Would her husband truly go? Bill threw the suitcase into the car and slammed the door.
Her gaze met his, and his eyes narrowed. A cold chill enveloped her; he would leave and not return. She ran outside, sinking to her knees on the cold cement. Do you see the difference? Do you feel the difference?
The reader is able to directly visualize the actions on the page; the events are up-front and immediate. In the last sentence, the reader directly views the car in its haste to depart. Every author has the job of pulling the reader into the story and making them identify with and care about the characters.
If the author accomplishes that, the reader will be sucked into the fictional world as if they are living the events on the page. The reader will be able to sense the events as if they are in the fictional world themselves.
Problems happen when the writer inserts filters between the reader and the story. The extra words stand between the reader and the action, and reader is forced to view events at a distance—like watching a movie from the back of a theater.
The reader is thus viewing the events filtered from afar instead of experiencing them directly in the front row. With the character acting as a filter, the reader is pushed away from the story.Free Essay: Dillon Marchello 4/25/16 PL Taking Control of Perception Filters Throughout life, people go through their day to day schedules seeing and.
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World power is defined by a nation, organization, or institution so powerful that it is capable of influencing or changing the course of world events. Online Course Catalog. Register NowIf you’re enrolled in an Excelsior degree program, remember to get course approval from your academic advising team so you can register..
If you’re a non-matriculated student, you can register anytime. Filter: Essay view all ABOUT ATLAS OF PLACES is a non-profit educational and political journal of architecture, landscape, urbanism, photography, cartography, print .
Explorable Explanations Bret Victor / March 10, What does it mean to be an active reader?. An active reader asks questions, considers alternatives, questions assumptions, and even questions the trustworthiness of the author.
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